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Art Magazine Design

Art magazine design is one field where it’s imperative to reach beyond the ordinary for solutions. For this genre the odd, obscure and unusual are a good thing. It’s expected, even the norm. But the other extreme exists too, the ultra classic and laid back approach that makes it clear the designer hasn’t mistaken his craft for fine art, and is not trying to compete with it. It’s a delicate balance: the right design environment will let the art be the center of attention, but it will still establish a strong identity for the publication.

Magazines and spreads about performance art, included here, are another matter. The visual interest comes from the interaction of musician and instrument, the conductor’s cues to his orchestra, dancers’ bodies moving through space doing impossible things. Use the best photos you can find, and remember you need something for visual interest, but you don’t need everything. If you have dramatic photos, keep the layout very simple, and focus on acing the typography.


Art director’s notes: For art magazines, generous use of white (negative) space is key to allow each art work room to breathe. Heads, subheads and titles may be positioned in unusual ways – vertically or on the diagonal, larger or smaller than usual. Captions must include information on dimensions and the media the artist used, and should be placed in close proximity to the art, or clearly keyed to it.

When content is very specific and focused on one type of art, you can either go classic with the layout or reflect the unique qualities of that art form. For example, if you were to design a magazine about African art, you might use graphic elements taken from African art motifs. When the art is mixed, keep the design elements non-specific and consistent.

Always respect the integrity of 2-dimentional art works by showing a piece in its entirety. If you do crop to a detail, say so, and use the word “detail” in the caption. You want to be sure a portion of a painting or drawing is not taken to be the whole — that would distort the artist’s intent.

 

Art magazine design spread from Art Education magazine, a publication of the National Art Education Association, celebrates the era of "the happening"
Spread from Art Education Magazine, a publication of the National Art Education Association (NAEA), with article and illustration celebrating the era of the “happening.”

Art magazine design layout from Art Education magazine, a publication of the National Art Education Association, is the opening spread of an article on an experiment in intermedia with photo of college art education students
This opening spread of an article from NAEA’s Art Education Magazine shows an experiment in intermedia conducted by a college art education professor and his students.

Art magazine design spread from Art Education Magazine exploring the art teacher's role in protecting the environment and artwork by Sylvia Mangold at right
Spread from NAEA’s Art Education Magazine with an article exploring the art teacher’s role in preserving and protecting the environment (at right, artwork by Sylvia Mangold).

Art magazine design spread from Art Education Magazine with illustration and story about college art education students who teach art to disadvantaged children
This spread from NAEA’s Art Education Magazine features an article about a group of college art education students who volunteer teaching art to disadvantaged children.

Art magazine design spread from Adventures Magazine with photo at left and article features Dance Kids of Monterey County performing the Nutcracker Ballet at Sunset Center, Carmel, CA
Spread from the Performing Arts section of Adventures magazine showing Dance Kids of Monterey County performing the Nutcracker at Sunset Center in Carmel, CA (article by Kathleen M. Nevin, photos by Gregory Wutke).

Art magazine design spread from Adventures Magazine about the Monterey Symphony, CA with photos of symphony musicians at left
Spread from the Performing Arts section of Adventures Magazine with an article by music critic Barbara Rose Shuler about the Monterey Symphony’s rise from small ensemble to professional orchestra.

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